Café Archi #50: Anna Heringer
"Leave no waste but knowledge" von Saralisa Wolm (2021 - 30 Min.)
©MAG
"Leave no waste but knowledge" von Saralisa Wolm (2021 - 30 Min.)
"The warmth and wisdom of mud buildings" - TED talk (2017 - 13min)
Im Rahmen der JNA 2026 und des Abschlusses der Ausstellung "Reclaiming Tropical Modernism" bietet Ihnen die MAG die deutsche Architektin Anna Heringer an, geboren 1977. Im Alter von 19 Jahren geht sie nach Bangladesch, wo sie bei der NGO Dipshikha nachhaltige Entwicklungspraktiken lernt. Dort glaubt sie, dass die effektivste Strategie darin besteht, auf die vorhandenen lokalen Ressourcen zu vertrauen und diese bestmöglich zu nutzen. anstatt von externen Systemen abhängig zu sein.
Unsere Gastgeberin Karine Cayol Nicolas, Lehrerin für Design und Berufe, stellt Fragen nach ihren Eindrücken über den Film.
Café Archi #50: Anna Heringer
"Leave no waste but knowledge", by Saralisa Wolm (2021 - 30mn)
©MAG
"Leave no waste but knowledge", by Saralisa Wolm (2021 - 30mn)
"The warmth and wisdom of mud buildings" - TED talk (2017 - 13mn)
As part of the JNA 2026 and the closing of the exhibition "Reclaiming Tropical Modernism", the MAG invites you to discover Anna Heringer, a German architect born in 1977. At the age of 19, when she left for Bangladesh, she trained in sustainable development practices with the NGO Dipshikha, where she learned that the most effective strategy was to trust existing local resources and make the best use of them. rather than depending on external systems.
Our guest Karine Cayol Nicolas, teacher in Design and Trades questions after having delivered her impressions on the film.
Café Archi #50: Anna Heringer
"Leave no waste but knowledge" di Saralisa Wolm (2021 - 30 minuti)
©MAG
"Leave no waste but knowledge" di Saralisa Wolm (2021 - 30 minuti)
"Il calore e la saggezza degli edifici di fango" - TED talk (2017 - 13min)
Nell'ambito del JNA 2026 e della chiusura dell'esposizione "Reclaiming Tropical Modernism", la MAG vi propone di scoprire Anna Heringer, architetto tedesco nata nel 1977. All'età di 19 anni, partita per il Bangladesh, si forma alle pratiche dello sviluppo sostenibile presso l'ONG Dipshikha dove ritiene che la strategia più efficace sia quella di fidarsi delle risorse locali esistenti e sfruttarle al meglio, piuttosto che dipendere da sistemi esterni.
La nostra ospite Karine Cayol Nicolas, insegnante di design e mestieri, ci ha fatto alcune domande dopo aver espresso le sue impressioni sul film.
Café Archi #50 : Anna Heringer
"Leave no waste but knowledge"de Saralisa Wolm (2021 - 30mn)
©MAG
"Leave no waste but knowledge"de Saralisa Wolm (2021 - 30mn)
"The warmth and wisdom of mud buildings" - TED talk (2017 - 13mn)
Dans le cadre des JNA 2026, et de la clôture de l'exposition "Reclaiming Tropical Modernism", la MAG vous propose de découvrir Anna Heringer, architecte allemande née en 1977. A l'âge de 19 ans, partie au Bangladesh, elle se forme aux pratiques du développement durable auprès de l'ONG Dipshikha ou elle retient que la stratégie la plus efficace consiste à faire confiance aux ressources locales existantes et a en tirer le meilleur parti, plutôt que de dépendre de systèmes extérieurs.
Notre invitée Karine Cayol Nicolas, enseignante en Design et Métiers questions après avoir livré ses impressions sur le film.
Café Archi #50: Anna Heringer
"Leave no waste but knowledge" de Saralisa Wolm (2021 - 30min)
©MAG
"Leave no waste but knowledge" de Saralisa Wolm (2021 - 30min)
"The warmth and wisdom of mud buildings" - TED talk (2017 - 13min)
En el marco del JNA 2026 y de la clausura de la exposición "Reclaiming Tropical Modernism", la MAG les propone descubrir a Anna Heringer, arquitecta alemana nacida en 1977. A la edad de 19 años, parte de Bangladesh y recibe formación sobre prácticas de desarrollo sostenible en la ONG Dipshikha, donde considera que la estrategia más eficaz es confiar en los recursos locales existentes y aprovecharlos al máximo. en lugar de depender de sistemas externos.
Nuestra invitada Karine Cayol Nicolas, profesora de Diseño y Oficios preguntas después de dar sus impresiones sobre la película.
