Questions related to rhythm and temporality are decisive in Michel Carrade’s plastic approach. The speaker presents the interactions that have occurred in this regard since the beginning of the 20th century, in particular at Kandinsky, Delaunay, Klee, Matisse. Carrade’s work, himself an experienced music lover, has more recently opened up entirely new perspectives.
By Jean-Yves Bosseur, composer, writer, musicologist and research director at the CNRS.