A polyptych by Guillaume Bottazzi illuminates the cathedral entrance of the Georges Méliès student residence in Montreuil
This polyptych of the artist Guillaume Bottazzi illuminates the cathedral entrance of the Georges Méliès residence in Montreuil.
This poetic painting is visible to the public during the European Heritage Days.
This work of more than 2 meters high is made with enamels. This material is a natural powder material composed of various minerals.
This poetic creation leads us to travel in an unreal, enchanting universe that evolves according to our imagination.
Visible for the passerby from the avenue Faidherbe, this painting is part of the heritage of Greater Paris.
Television report on this subject on France 3 Ile-de-France to be found on francetvinfo.
Guillaume Bottazzi is a French visual artist with a psychological and poetic approach. It has been operating for 30 years in Europe, Asia and the United States.
The artist has signed more than 100 works of art in public spaces. It receives private and public commissions from museums, such as the Miyanomori Museum of Art, who commanded him the largest painting in Japan that dresses the museum, the Century Art Museum or the Mori Museum; cities, such as Brussels Capital or the city of Tokyo, with a work of 100m²; ministries, such as the Ministry of Culture, the Ministry of National Education and the Ministry of Health.
Since 2004, Guillaume Bottazzi has been represented by the Itsutsuji gallery. This major gallery in Japan allowed him to win with several artistic commissions. She discovered artists such as Simon Hantaï, Pierre Soulages, Yayoi Kusama, Ay-o, Guillaume Bottazzi, but also introduced movements such as the Supports/Surfaces group, including Claude Viallat.
Guillaume Bottazzi’s official website: https://guillaume.bottazzi.org