In all art history fields based on printed material, research conventionally focuses on the images, and other information that was printed. The objects used to produce that information (including cut woodblocks, engraved metal plates, and lithographic stones) have been neglected. Many hundreds of thousands of these historical printing surfaces survive today in the East as in the West.

As relics of historical crafts and industry, they fall outside the modern disciplines, and the vast majority are even inaccessible to researchers because they are uncatalogued and often considered ‘uncatalogue-able’. However, as individual objects and as an untapped category of cultural heritage, these artefacts of printing offer a great deal of information that the finished prints, books, fabrics, and other printed materials do not.

The proposed panel will respond to the need for a multidisciplinary introduction to what in image-based fields are called ‘print matrices’ – ‘printing surfaces’ in text-based fields.

Following from the conference Blocks Plates Stones (London, 2017) the monographic issue of Memofonte journal (2017) and the volume Printing things (2023), the first facilitated discussion of the use of such objects in research, this panel will represent the state of research in this new and developing field. It will bring together object-based research, collection-level surveys, historical printing practices, ethical considerations of their storage and use (or nonuse) today, methods for multiplying the originals (eg dabs, stereos, electros), and methodological studies. By doing so, it will facilitate their introduction into historical research across the disciplines.

Round table "Re-use and afterlife of matrices" (off site):

• Chiara BETTI - Transforming Metal: Exploring the Dual Identity of Printing Plates as Artworks and Printing Tools

• Genevra HIGGINSON - The Question of Substrates Past: Considering the Morphology of a Copper Matrix in Early Modern Intaglio Printmaking

• Pauline CHASSAING - Etat de stèle : l'estampage chinois, une empreinte du temps qui passe

• Noriko YOSHIMURA - Richard Hamilton, Kent State: Printing Processed Images and Transforming the Subject

• Ulrik RUNEBERG - The recycling and double-side use of printing blocks made from engineered wood products of the 20th century

• Marie GISPERT - Usages et réusages de la matrice à la fin du XXe siècle

Round table off site, at Musée Gadagne.
Free entry on registration: contact ilaria.andreoli@inha.fr