"Magical garden" in the park of the National Museum of Villa Pisani

Name: "Magical garden" in the park of the National Museum of Villa Pisani
Start: 2024-06-02T10:00:00+02:00
End: 2024-06-02T11:30:00+02:00
Location: Parco del Museo nazionale di Villa Pisani

Children’s activities

Sunday 2 June, 10:00Passed

Conditions

Free entrance to the park + activities € 10,00 per child with guide. Booking: strongly recommended to call from 8 30 to 12 00 from Monday to Friday or message whatsapp at +39 351 649 1027 or by email to info@gioiosaeserenissima.org

Registration

39 351 649 1027 info@gioiosaeserenissima.org

©nicoletta biondo

Magical garden

activities for children from 5 years

The event designed for families and children, wants to discover the park of Villa Pisani with ways designed for young people. The activity includes: - the animated story "Toni the lion and the flowers of Villa Pisani". A story will be told in the garden that will allow participants to explore and learn about the floral botanical essences present in the park. - tactile - sensory laboratory on aromatic plants. We will play with the senses and plants, discovering and exploiting their characteristics. Estimated duration: 90 minutes with snack break

About the location

Parco del Museo nazionale di Villa Pisani

Via Doge Pisani, 7 Stra

Venezia
Veneto

The park as it appears today is the result of the stratification of three centuries of history. The original grandiose project is the work of Girolamo Frigimelica. The inspiration for the gardens of Versailles is clear, certainly taken as a model by Alvise Pisani who had been ambassador in France for the Serenissima. The 14 hectares enclosed in the great bend of the Brenta are organized with an articulated geometric composition characterized by a complex scenographic game expression of the grandeur required by the client. The central axis of the composition is of course the median axis of the bend of the river on which is set the strong relationship between the palace on one side and the beautiful stables on the other. The two large parallel avenues that delimit the large central parterre are closed in the background by imposing sculptural groups by the sculptor Giovanni Bonazza. The secondary paths constitute real scenographic perspectives that have as background small and extraordina