Passages, a piece designed for heritage places, explores the relationship between the movement of bodies and the spaces in which they evolve. In silence, the choreographic score unfolds in six fragments from a vocabulary of shared movements. Forward or backward races, slips, carp jumps, volts, ground support on the hands or on the back: the dancers combine and repeat in a quasi-mathematical operation a dozen movements in a game of appearances and disappearances. This physical and dynamic piece for fragmentary bodies and monumental architecture reveals a contaminating energy.