Have you already pointed out that current motives are teeming with diverse animals? They represent half of 158 wallpaper presented in a thematic collision(hanging), in exhibition(exposure) "Bestiary of the wall". That it is domestic or wild, familiar or harmful, the animal fascinates the man since the prehistory. Its status evolved at the same time as its perception(collection), but it was reproduced in decorative arts, and in particular in wallpaper. The 18th century is fascinated by the birds; the 19th century makes an use(custom) abundant of fabulous creatures of the ancient and medieval bestiary; revealed Art nouveau aquatic fauna(crowd) The 20th century had trend(tendency) to reserve animals for wallpaper for child.
In the second floor of the museum, exhibition(exposure) "Wallpaper of future" presents wallpaper enriched on one hand, and technological wallpaper of other one. Because trend(tendency) is in an always more elaborate customisation(personalization): tomorrow, environment will have to fit to needs and to tastes of his occupants.
The permanent spaces of the museum suggest discovering the process techniques of the wallpaper and the panoramic decorations(sets) of the factory Zuber.