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Sunday 17 September 2023, 10:00Passed

Conditions

Open access

September 2023

Sunday 17

10:00 - 18:00

Accessible to the intellectually impaired

Accessible to the visually impaired

Accessible to the psychic impaired

Accessible to the motor impaired

Théâtre national de l'Opéra-Comique

1 place Boieldieu 75002 Paris

Paris
Île-de-France

Clara and the spells: Podcast jeunesse d'éveil musical

Name: Clara and the spells: Podcast jeunesse d'éveil musical
Start: 2023-09-17T10:00:00+02:00
End: 2023-09-17T18:00:00+02:00
Location: Théâtre national de l'Opéra-Comique

Five 10-minute episodes to discover the Opéra-Comique with Clara and Léo, two apprentice couturiers whose needles will revive the costumes of the theater. But what do these fabrics that…

Sunday 17 September 2023, 10:00Passed

Conditions

Open access

©Inconito

Five episodes of 10 minutes to discover the Opéra-Comique with Clara and Léo, two apprentice couturiers whose needles will give life to the costumes of the theater. But what do these fabrics that have passed through the ages want? What do they demand in body and cry? A funny and twirling fiction, for children as for parents.

Types d'événement

Animation Jeune public

Thèmes 2023

Patrimoine vivant

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Conditions de participation

Gratuit

Type de public

Enfants (0-15 ans)

About the location

Théâtre national de l'Opéra-Comique

1 place Boieldieu 75002 Paris

Paris
Île-de-France

Founded in 1715, the Opéra Comique is one of the oldest cultural institutions in France. His original repertoire combines theatre with lyrical singing and has produced the most widely performed French masterpieces in the world today: Berlioz’s La Damnation de Faust, Bizet’s Carmen, Delibes' Lakme, Offenbach’s The Tales of Hoffmann, Manon de Massenet, Pelléas et Mélisande de Debussy… It was inscribed on the list of national theatres in 2005 and placed under the direction of Olivier Mantei since 2015.
Although the repertoire, baroque and creation remain at the heart of its programming, the 2018 season of the Opéra Comique is marked by audacity both in artistic terms and openness to new audiences. My first Opera Festival was born in February, with three shows dedicated to families. An operation that will be renewed in 2019\. La Maîtrise populaire de l'Opéra Comique also became a pillar of the institution, with more than a hundred students in training with timetables arranged from the four