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17 and 18 September 2022Passed
Conditions
Free entrance, free of charge
September 2022
Saturday 17
13:30 - 18:00
Sunday 18
13:30 - 18:00
Accessible to the intellectually impaired
Accessible to the hearing impaired
Accessible to the visually impaired
Accessible to the psychic impaired
Accessible to the motor impaired

Discovery of the playful space of the Tower with the figures of Jean Dubuffet

Discover Jean Dubuffet and his Tour aux Figures in a playful space suitable for all audiences.
17 and 18 September 2022Passed
Conditions
Free entrance, free of charge
© ADAGP/Willy Labre/Département des Hauts-de-Seine

As part of the European Heritage Days, the reception area opens its doors to everyone to discover in an original and playful way the Tower of Figures, a monumental sculpture by Jean Dubuffet located on the island Saint-Germain in Issy-les-Moulineaux.
With free access and accessible to all at opening times, this space offers an exhibition, a video area with archive films and interviews of professionals, a virtual tour as well as a play area for children.
The opportunity to seize the springs of creation in this original artist, precursor of «raw art».

Types d'événement
Visite libre
Thème 2022
No selection
I agree that the image may be freely used, provided that it is attributed to the author by name and shared under the same conditions.
Conditions de participation
Gratuit

About the location

Tour aux figures
Parc départemental de l’île Saint-Germain 92130 Issy-les-Moulineaux
  • Hauts-de-Seine
  • Île-de-France
Jean Dubuffet’s 24-metre “Tower of Figures” was declared a historic monument on September 10, 2008\. It belongs to the series of «buildings» designed from 1967 within the cycle of «l'Hourloupe», utopian world concretized by the proliferation of sinuous lines. The “Tower of Figures” was restored in 2020\. A presentation area of the tower is accessible to all and open on Saturday and Sunday from 13:30 to 18:00 from 1 March to 31 October.
©Jean Dubuffet, la Tour aux figures, © Département des Hauts de Seine, 2017 / Michèle Barret