Visit of the exhibition of Marina Vandra and Guilhem Roubichou

Name: Visit of the exhibition of Marina Vandra and Guilhem Roubichou
Start: 2022-09-17T16:00:00+02:00
End: 2022-09-18T16:00:00+02:00
Location: FRAC Grand Large

Guilhem Roubichou and Marina Vandra met in the framework of the residence ARCHIPEL discovering the resources and landscapes of the mining basin and the colors and atmospheres of the coast.

17 and 18 September 2022Passed

Registration

Guilhem Roubichou

Guilhem Roubichou and Marina Vandra met in the framework of the residence ARCHIPEL, discovering for one, the resources and landscapes of the mining basin, and for the other the colors and atmospheres of the coast. Their joint exhibition at the Frac will stage the encounter of heterodox artistic practices that modify the sensitive data of space. Marina Vandra’s acrylic paintings on paper line the walls with compositions that deceive perspective, while Gilhem Roubichou’s sculptures focus attention on often forgotten senses such as smell or touch. Two processes that are both processual and singular, which awaken all our senses.
Official opening of the exhibitions: 18H

About the location

FRAC Grand Large

503 avenue des bancs de Flandres, 59140 Dunkerque

Nord
Hauts-de-France

Located on the port(bearing) of Dunkirk, the building(ship) of the Wide Big(Great) Tail coat(Frac) — Hauts-de-France was conceived(designed) by the architects Lacaton and Vassal, and is in itself a remarkable work, storage place and place of exhibition(exposure) opened on the horizon. It is conceived(designed) as retort(replica) in transparency of the old(former) hall(market) AP2: «Workshop(Studio) of prefabrication n°2», historic witness(baton) of the dunkerquoise shipbuilding industry.
The Wide Big(Great) Tail coat(Frac) — Hauts-de-France possesses a collection devoted to design, revealing its opening in the world of objects and testifying a real international mixing of sources(springs) and creations. This exceptional collection, going of 1960s in today, establishes(constitutes) the pivot of its programme planning(programming) in walls and in region.
It also developed its collection around an initial pit(core) devoted to arte povera, minimal art, conceptual art, and to so various mediums as painting(paint), photography and installation.