Saturday 17 September 2022, 14:30, 15:30Passed

Conditions

All activities offered as part of this event are free of charge and upon registration on site during the Heritage Days, subject to availability.

Registration

September 2022

Saturday 17

14:30 - 15:30

15:30 - 16:30

Accessible to the motor impaired

7 to 99 years old

Musée des Beaux-Arts et d'Archéologie

1 place de la Révolution 25000 Besançon

Doubs
Bourgogne-Franche-Comté

The return of the mummy - Egyptology

Name: The return of the mummy - Egyptology
Start: 2022-09-17T14:30:00+02:00
End: 2022-09-17T16:30:00+02:00
Location: Musée des Beaux-Arts et d'Archéologie

Let Cécile Clément-Demange, the museum’s curator of archaeological collections guide you!

Saturday 17 September 2022, 14:30, 15:30Passed

Conditions

All activities offered as part of this event are free of charge and upon registration on site during the Heritage Days, subject to availability.

Registration

Charles Choffet

After his stay at the Historial de la Vendée, Séramon and his funerary furniture took their place in the museum.
Through the principles of embalmment and funerary rites, discover the secrets of conservation of mummies to endure in the afterlife…
Please note: All public/ Duration: 1h

Types d'événement

Visite commentée / Conférence

Thème 2022

Patrimoine durable

I agree that the image may be freely used, provided that it is attributed to the author by name and shared under the same conditions.

Conditions de participation

Gratuit

About the location

Musée des Beaux-Arts et d'Archéologie

1 place de la Révolution 25000 Besançon

Doubs
Bourgogne-Franche-Comté

The Musée des Beaux-Arts et d'Archéologie de Besançon is part of the French and international cultural landscape: the oldest public collection in France, born in 1694, can indeed be proud of the richness of its collections. In addition to the international renown of its collection of European graphic art (more than 6,000 drawings), it also has an important archaeological heritage (Egyptian, Mediterranean collections, regional background), numerous sculptures, ceramics, goldsmith’s pieces and an exceptional collection of paintings representative of the main trends in the history of Western art from the late fifteenth to the twentieth century.
These collections take place in a unique setting, a former grain hall of the nineteenth century revisited by a student of Le Corbusier in the seventies, with its ramp in raw concrete. After four years of closure for works, the museum reopens its doors in November 2018 with a reinvented itinerary and an architectural renovation signed Adelfo Scarane