«Good morning Shakespeare!», it is an immersion in the universe of theatre Elisabéthain. That of today, in whom(which) are gathered(combined) the audience, but especially that yesterday, that of origin: Why this such a specific architecture? What was the historic, social, political context? How did they play it, in which atmosphere? It is also a meeting(appointment) with his actors, his detractors, his authors. And particularly the most famous of them: William Shakespeare.
But «Good morning Shakespeare!» a conference is under no circumstances. To speak about a theatre, it is necessary to make him live, theatre is needed. A dramatic art, of characters, coups de théâtre is needed. In this case, a clown-like duet interrupts a classic visit of the castle, and game(set,play) begins. Graham, landing(turning up) in right(straight) line of the beginning of the 17è century, ghost roaming behind the scenes of theatre since his unveiling comes into sight then, of depths of the stage(scene). At least, it is the history(story) which they tell us. The trio invests(surrounds) the whole place: the stage(scene), floors, the flowerbed(orchestra), uses light, architecture, music. It is a show for all. For the beginners, the walkers, the curious, as for the erudite persons: in the text is sowed(scattered) a multitude of references to works and of Shakespeare's quotations (Graham, for example, is a direct reference to Robert Greene, poet and contemporary author of Shakespeare, having probably inspired the character of Falstaff). A putting there abime play, surprising, an experience(experiment) to be shared.