The route(course) of training(formation) of Roxane Kisiel, 27 years old, led him(it) of the School Estienne to Paris up to the Royal Academy of Arts of Brussels, having allowed him(her) to control techniques of engraving and of sculpture. Welcomed in residence in Issoudun in spring on 2018, she pursued her reflexion on the representation of a dead body and her transformation(processing). Its project realised during three months of the residence, joins the continuity of its plastic researches(searches) mixing(involving) paper, fabrics(tissues) and sons(thread).
Exhibition(Exposure) also presents its engravings to the etching, a corpus of engravings which it establishes(constitutes) in the course of its visits in museums, in the contact of works which call out to(question) it for a gesture(movement), a draped, a posture... A previous large-scale work also is to discover in the room of the men(people), an embroidery on paper was realised in 2016.