> At 17 h
The chamber music of Rossini and Mozart. Concert of Massimo De Bonfils and Luca Minervino
At the beginning of the XIXth century, there was not place(square) in Italy as the big(great) instrumentalists. Many people(Many,A lot) of them won then in Paris to join Rossini. They realised famous transcriptions of his(her,its) works there.
Massimo de Bonfils, professor of violin and of lutherie to the Academy Santa Cecilia, was prize-winner of different national and international competitions. He was the youngest director of academy of Italy, and cheek today on a violin realised by the workshop(studio) of lutherie of his academy. With Luca Minervino, professor of guitar, he(it) trains(forms) a duet which occurred in concert in Europe, in Far East and in America. To the Institute, they will play compositions of Rossini – Pius burglar, The Barber of Seville, Cinderella and Tancrède – but also transcriptions for violin and guitar of some airs of the Weddings of Barber of Mozart.
> To follow at 20 h
Concert of the Accademia della Scala
Based(Established) by Riccardo Muti in 1997 and managed today by Luisa Vinci, Accademia di perfezionamento per cantanti lirici of the La Scala benefited from the inheritance of the school of the "Cadetti della Scala" created by Arturo Toscanini in 1950, to assure(insure) the transmission of Italian lyric tradition. She prepares for a professional career of young singers endowed with a robust vocal and musical training(formation), by refining(sharpening) their technical capacities and of interpretation(performance).
Francesca Manzo (soprano), Chiara Tirotta (mezzo-soprano), Giovanni Sebastiano Sala (tenor(leading light)) and Paolo Ingrasciotta (baritone), accompanied by Michele D' Elia in the piano, are going to interpret airs of classic works consisted by Italian and French authors. In programme: The Barber of Seville of Gioacchino Rossini; Faust de Charles Gounod; Carmen deGeorges Bizet; Oberto, Comte de Saint Boniface, The Masked ball and Rigoletto de Giuseppe Verdi; conventions(agreements) and theatrical improprieties (Lazzarune, scauzacane!) and The Elixir of love of Gaetano Donizetti; Samson and Delilah de Camille Saint-Saëns.