Tuesday 21 August 2018, 21:00

Passed

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[http://www.digitick.com/10-histoires-sacrees-concert-abbatiale-saint-robert-la-chaise-dieu-21-aout-2018-css5-festivaldelachaisedieu-p g101-ri5315309.html](http://www.digitick.com/10-histoires-sacrees-concert-abbatiale-saint-robert-la-chaise-dieu-21-ao...

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August 2018

Tuesday 21
- 21:00 - 23:00

This event includes accessibility accommodations

Hearing impairment

Visual impairment

Psychic impairment

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0 to 119 years old

Abbatiale Saint-Robert

Abbatiale Saint Robert, 43160 La Chaise-Dieu

Haute-Loire

Konzert 10: Als Geschichten von Zimmermann

Name: Concert 10: Stories(Trouble) Blest by Carpenter
Start: 2018-08-21T21:00:00+02:00
End: 2018-08-21T23:00:00+02:00
Location: Abbatiale Saint-Robert

Inthronisiert waren, die weniger gekannt sind als sein berühmter Te Deum, inspirieren sich die von Marc-Antoine Charpentier inthronisierten Geschichten vom Modell des Oratoriums, das römisch ist wie d

Tuesday 21 August 2018, 21:00

Passed

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Registration

This event includes accessibility accommodations

Hearing impairment

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Photo © Droits réservés

der weniger kannte als sein berühmter Te Deum von Marc-Antoine Charpentier inthronisierten Geschichten inspirieren sich vom Modell des Oratoriums, das römisch ist wie demjenigen von Carissimi. Zum Dienst der dieser drei biblischen Frauen édifiante Geschichte - Judith, die Marie - Madeleine und Cäcilie - die die Qualen der ersten Christen erleben, wird eine leichte Szenographie im Abts-die Theaterdimension dieser kleinen heiligen Opern unterstreichen.
Konzert N°10 ¦ Heilige Musik
Herrn. ZIMMERMANN: Judith sive [Judith oder befreite Béthulie], Magdalena lugens H.343 343 [Marie - Madeleine in den Tränen] und Caecilia Virgo und Märtyrer H.397 [Cäcilie, die Jungfrau und das Martyrium]].
Mit:
Karoline Weynants (Judith, Sopran),
Lucile Richardot (Marie - Madeleine, Mezzo-Sopran),
Judith F (Cäcilie, Sopran),
die Gesamtheit(Komplex) Korrespondenzen
&
Sébastien Daucé (Direktion(Richtung))
Setze im Raum: Vincent Huguet
Konzert mit surtitrage. Mit der Unterstützung des Kreises der lokalen Partner.
Um das Programm... Zwei Konferenzen im Sendesaal Cziffra, die von Jean-Jacques Griot vorgestellt sind: um 11 Uhr, auf den Merkmalen der französischen Musik und um 18 Uhr 30, für ein Treffen mit Sébastien Daucé und Vincent Huguet, dem Regisseur.

Concert 10: Stories(Trouble) Blest by Carpenter

less known than his(her,its) famous Te Deum, Stories(Trouble) blest by Marc-Antoine Charpentier draw inspiration from the model of Roman oratorio as that of Carissimi.

Tuesday 21 August 2018, 21:00

Passed

Conditions

Registration

This event includes accessibility accommodations

Hearing impairment

Visual impairment

Psychic impairment

Motor impairment

Photo © Droits réservés

less known than its famous Te Deum, Stories(Trouble) blest by Marc-Antoine Charpentier draw inspiration from the model of Roman oratorio as that of Carissimi. In the service(department) of the edifying history(story) of these three biblical women – Judith, Marie-Madeleine and Cecil – who live torments of the first Christians, a light stage design will underline in the abbey church the theatrical dimension(size) of these small sacred operas.
Concert N°10 ¦ Sacred Music
To MR CHARPENTIER: Judith sive Bethulia liberata H.27 27 [Judith or freed(released) Béthulie], Magdalena lugens H.343 343 [Marie-Madeleine in tears] and Caecilia Virgo and Martyr H.397 [Cecil, blank(virgin) and martyred].
With:
Caroline Weynants (Judith, soprano),
Lucile Richardot (Marie-Madeleine, mezzo-soprano),
Judith Fa (Cecil, soprano),
the Correspondence set
&
Sébastien Daucé (direction(management))
Bet in space: Vincent Huguet
Concert with surtitrage. With the support of the Circle of the local partners.
Around programme... Two conferences in the Auditorium Cziffra, presented by Jean-Jacques griot: at 11 h, on characteristics of French music and at 18 h 30, for a meeting with Sébastien Daucé and Vincent Huguet, movie director.

Concerto 10: le Storie(i Piani) (i Problemi) Benedetti da Falegname(Carpentiere)

meno conosciuto che il suo (lei, il suo) Te Deum famoso, le Storie(i Piani) (i Problemi) benedetti da Marc-Antoine Charpentier traggono l'inspirazione dal modello d'oratorio romano come quello di Cari

Tuesday 21 August 2018, 21:00

Passed

Conditions

Registration

This event includes accessibility accommodations

Hearing impairment

Visual impairment

Psychic impairment

Motor impairment

Photo © Droits réservés

meno conosciuti che il suo Te Deum famoso, le Storie(i Piani) (i Problemi) benedetti da Marc-Antoine Charpentier traggono l'inspirazione dal modello d'oratorio romano come quello di Carissimi. Nel servizio (il reparto) della storia edificante (la storia(il piano)) di queste tre donne bibliche – Judith, Marie-Madeleine e Cecil – chi vivono tormenti dei primi cristiani, un progetto di stadio(palcoscenico) leggero(chiaro) sottolineerà nella chiesa d'abbazia la dimensione teatrale (le dimensioni(la misura)) di queste piccole opere sacre.
Concerto N°10 ¦ musica sacra
Al SIG. CHARPENTIER: Judith sive Bethulia liberata H.27 27 [Judith o liberato ha (rilasciato) Béthulie], Magdalena lugens H.343 343 [Marie-Madeleine in lacrime] e la Vergine Caecilia e il Martire H.397 [Cecil, spazio in bianco(modulo) (la vergine) e ha martirizzato].
Con:
Caroline Weynants (Judith, soprano),
Lucile Richardot (Marie-Madeleine, soprano mezza(mezzo)),
Judith Fa (Cecil, soprano),
la Corrispondenza(Accordo) messa
&
Sébastien Daucé (direzione(indicazione) (direzione))
Scommessa in spazio: Vincent Huguet
Concerto con surtitrage. Con il sostegno del Cerchio(Circolo) dei compagni(soci) locali.
Intorno a programma... Due conferenze(congressi) nell'Auditorio Cziffra, presentato da Jean-Jacques griot: a 11 h, su caratteristiche di musica francese e alle 18:30, per un incontro con Sébastien Daucé e Vincent Huguet, implementer là [scène.

Concierto 10: Historias Consagradas de Carpintero de armar

Menos conocidas que a Su célebre Te Deum, las Historias consagradas de Marc-Antoine Charpentier se inspiran en el modelo del oratorio romano como el de Carissimi.

Tuesday 21 August 2018, 21:00

Passed

Conditions

Registration

This event includes accessibility accommodations

Hearing impairment

Visual impairment

Psychic impairment

Motor impairment

menos conocer que su célebre Te Deum, las Historias consagradas de Marc-Antoine Charpentier se inspiran en el modelo del oratorio romano como el de Carissimi. En el servicio de la historia edificante de estas tres mujeres bíblicas – Judith, Marie-Magdalena y Cécile – que viven los tormentos de los primeros cristianos, una escenografía ligera subrayará en la iglesia abacial la dimensión teatral de estas pequeñas óperas sagradas.
Concierto N°10 ¦ Música Sagrada
A SR. CHARPENTIER: Judith sive Bethulia liberata H.27 27 [a Judith o a Béthulie liberada], Magdalena lugens H.343 343 [Marie-Magdalena en lágrimas] y Caecilia Virgo y Mártir H.397 [Cécile, virgen y martirio].
Con:
Caroline Weynants (Judith, soprano),
Lucile Richardot (Marie-Magdalena, mezzo-soprano),
Judith Fa (Cécile, soprano),
el Conjunto Correspondencias
&
Sébastien Daucé (dirección)
Apuesta en espacio: Vincent Huguet
Concierto con surtitrage. Con el apoyo del Círculo de los compañeros locales.
Alrededor del programa... Dos conferencias a la Sala de audiciones Cziffra, presentadas por Jean-Jacques Griot: a las 11, sobre las características de la música francesa y a las 18h 30, para un encuentro con Sébastien Daucé y Vincent Huguet, escenógrafo.

August 2018

Tuesday 21
- 21:00 - 23:00

Additionnal information

Type d'activité

Festival

Type de patrimoine concerné

Création artistique

About the location

Suggest a change on the location

Abbatiale Saint-Robert

Abbatiale Saint Robert, 43160 La Chaise-Dieu

Haute-Loire

On the high plateaus of Livradois-Forez, at the heart of the Haute-Loire - «the South of France of Auvergne», the village of The Chair-God, and more particularly the abbey church Saint Robert, establishes(constitutes) the nerve centre of Festival. The Abbey church receives(welcomes) most concerts. It is this place which indeed characterises this event(demonstration), on one hand due to its remarkable acoustics, but also by the quality of the furniture and of the ornaments which they find there, and who manifest the wealth of religious art across different times(periods). It will be possible to admire so there lying him(it) of marble of the pope Clement VI, the famous Dance of death, the remarkable set(group) of tapestries, the sideboard(buffet) of organ (at the beginning of the XVIIIth century), 144 wooden stalls, etc.
The origin of the building goes back up(raises) to the XIth century, when the canon Robert de Turlande melts in this place the first Casa Dei monastery, God's House. Later, in the XIVth century, an old(former) monk of The Chair-God become Pope in Avignon, Clement VI, decides to finance the general reconstruction of the building, where he will be buried, in accordance with his will.
After Revolution, the monks are dispersed and leave the Abbey, the church becomes parish what saves it from destruction. In 1984, the Saint Jean community settles down in The Chair-God and takes up with the thousand-year-old monastic tradition of Casa-Dei.
A stony rood screen separates the Abbey church in two parts(parties), so on the occasion of the concerts of Festival, several types of places(squares) are proposed to the public. The places(squares) of chorus(choir) and stalls benefit from a direct view(sight) and from a very good sound quality(listening skill). In central nave, the stage(scene) is partly visible only across the storm door in the centre of the rood screen. The places(squares) of side naves have not direct vision of the stage(scene). The central and side naves benefit from a system of broadcast of images on screens; sound qualities(listening skills) are uneven and variable according to busy place(square) and musical programme.
A detailed presentation(display) of history(story) and of heritage of the Abbey church of The Chair-God is available on the web site of the association of the friends de l' Abbatiale: www.abbaye-chaise-dieu.com