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16 i 17 septiembre 2023Passed
Setembre 2023
Dissabte 16
11:30 - 13:00
14:30 - 14:50
15:00 - 15:30
16:00 - 17:15
17:30 - 18:20
19:00 - 19:30
20:00 - 20:30
20:30 - 21:30
Diumenge 17
11:30 - 13:00
14:30 - 14:50
15:00 - 16:00
16:00 - 17:15
17:30 - 18:30
Los motores de acceso para minusválidos

Lafayette Anticipations, Fondation d'entreprise Galeries Lafayette

9 rue du Plâtre 75004 Paris
  • Paris
  • Île-de-France

Human Scale Festival

For this new edition, the Échelle Humaine festival lets itself be won over by the movements of artists, researchers, students and audiences who take over Lafayette Anticipations and devote themselves…
16 i 17 septiembre 2023Passed
© Lafayette Anticipations

For this new edition, the Human Scale festival lets itself be won over by the movements of artists, researchers, students and audiences who seize Lafayette Anticipations and unveil the spaces of play, porosity and change.
In one weekend, the festival brings together polymorphic encounters: performances, installations, practice workshops, films, conversations, naps, parties—all opportunities to experience the relationships that move us and to question the transformations. The performer Ivan Cheng designs a new piece, Clarities, which disturbs the use of language, genres and the spectacular. In an in situ version of Apocalypso, Luara Raio and Acauã El Bandide Sereia invoke buried images; their rituals reveal, layer by layer, the state of a burning earth. Alix Boillot proposes a potential Scenography, an ilôt of abstract and sensitive forms that activations, looks and words do not cease to modify. L'Origine de la mort, a new performance by Paul Maheke, explores the dialogue between dance, sound and identity, drawing on stories from the roller rink culture and the figure of the vampire. Choreographer Taos Bertrand is designing a workshop with students from the Beaux-Arts de Paris, who will share their research at the end of the festival. An ephemeral reading room designed by Tai Shani welcomes visitors for rest and discovery; a film cycle, collective practices and public meetings occupy the floors of the Foundation — all, to think and live together the movements of the present.
Festival in partnership with:
The Autumn Festival in Paris; The Calouste Gulbenkian Foundation; The Fine Arts of Paris, Chair "Troubles, dissidences and aesthetics"; The Jerk Off Festival

Types d'événement
Spectacle / Lecture
Thèmes 2023
Patrimoine vivant
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Conditions de participation
Sur inscription i Tarif habituel
Type de public
Tout public

About the location

Lafayette Anticipations, Fondation d'entreprise Galeries Lafayette
9 rue du Plâtre 75004 Paris
  • Paris
  • Île-de-France
9 rue du Plâtre, the first building of Rem Koolhaas in Paris. The Fondation d'entreprise Galeries Lafayette is located in a 19th century industrial building in the heart of the Marais and rehabilitated by Rem Koolhaas and his agency OMA. The architect designed this 2,200m² space as a curatorial machine and inserted in its central courtyard an «exhibition tower» of steel and glass equipped with four mobile floors. This innovative set of platforms allows to modify the space in forty configurations. The 9 rue du Plâtre thus responds to a desire for flexibility and adaptation to the many future projects. After 3 years of work, the building offers 875m² of exhibition space, production workshops, a space dedicated to artistic practice for all audiences, a café-restaurant and a shop: a diversified and original offer reflecting the pioneer character of the Foundation.
A laboratory of anticipations and production open to all audiences Created in October 2013, Lafayette Anticipations carries the
Tags
Musée, salle d'exposition
Acceso
Metro Rambuteau: line 11 Hôtel de Ville: lines 1 & 11 Châtelet - Les Halles: lines 4, 7, 11, 14 & RER A, B & D Bus Archives - Rambuteau: 29 & 75 Centre Georges Pompidou: 38, 47, 75 N12, N13, N14 & N23 Hôtel de Ville: 67, 69, 76, 96, N11 & N16 Autolib' 36, rue du Temple 37, rue Sainte-Croix de la Bretonnerie Parking 31, rue Beaubourg 41-47, rue Rambuteau 4, place Baudoyer
Photo : Martin Argyroglo