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Domingo 17 septiembre 2023, 15:30Passed

Herramientas de registro

Setembre 2023

Diumenge 17

15:30 - 16:15

Discapacidad mental

Accesible para discapacitados visuales

Acceso discapacitados mentales

Los motores de acceso para minusválidos

12 to 99 years old

Théâtre national de l'Opéra-Comique

1 place Boieldieu 75002 Paris

Paris
Île-de-France

Blind test: a drag queen makes you play with Carmen

Name: Blind test: una drag queen te hace jugar con Carmen
Start: 2023-09-17T15:30:00+02:00
End: 2023-09-17T16:15:00+02:00
Location: Théâtre national de l'Opéra-Comique

Élysée Moon, drag queen, opera singer and lecturer hosts a blind test on the characters of Carmen de Bizet. Will you be able to guess which character sings which tune? An unusual and deci...

Domingo 17 septiembre 2023, 15:30Passed

Herramientas de registro

©Stefan Brion

Élysée Moon, drag queen, lyric singer and lecturer hosts a blind test on the characters of Carmen de Bizet. Can you guess which character sings which tune? An unusual and offbeat way to learn more about the repertoire of the Opéra-Comique.

Types d'événement

Atelier / Démonstration / Savoir-faire

Thèmes 2023

Patrimoine vivant

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Conditions de participation

Gratuit i Sur inscription

Type de public

Tout public

About the location

Théâtre national de l'Opéra-Comique

1 place Boieldieu 75002 Paris

Paris
Île-de-France

Founded in 1715, the Opéra Comique is one of the oldest cultural institutions in France. His original repertoire combines theatre with lyrical singing and has produced the most widely performed French masterpieces in the world today: Berlioz’s La Damnation de Faust, Bizet’s Carmen, Delibes' Lakme, Offenbach’s The Tales of Hoffmann, Manon de Massenet, Pelléas et Mélisande de Debussy… It was inscribed on the list of national theatres in 2005 and placed under the direction of Olivier Mantei since 2015.
Although the repertoire, baroque and creation remain at the heart of its programming, the 2018 season of the Opéra Comique is marked by audacity both in artistic terms and openness to new audiences. My first Opera Festival was born in February, with three shows dedicated to families. An operation that will be renewed in 2019\. La Maîtrise populaire de l'Opéra Comique also became a pillar of the institution, with more than a hundred students in training with timetables arranged from the four