What story, real or fictional, legendary or mythological, recent or ancient, does not involve an ounce of danger? Sometimes human, sometimes animal, sometimes natural, what forms does danger take in stories? In what context does it intervene? What role does it play, beyond warning or catharsis? And above all, how can this notion, sometimes abstract, be translated into figurative works for which the painter and the sculptor have only a fixed and immobile support, without resorting to the movement of the theatre or cinema to give body to their ideas? This is what this signposted route offers you to discover.