Dança Em Transito (Brazilian Festival) - Malditos by Renato Vieira and Carne Quebrada by Willington Julio - Cia do Pantanal

Name: Dança Em Transito (Festival Brasileño) - Malditos de Renato Vieira y Carne Quebrada de Willington Julio - Cia do Pantanal
Start: 2022-09-17T20:00:00+02:00
End: 2022-09-17T21:00:00+02:00
Location: Studio Le Regard du Cygne

Sábado 17 septiembre 2022, 20:00Passed

Herramientas de registro

Register / book: https://leregardducygne.mapado.com/event/114470-jemp-danca-em-transito-festival-bresilien-malditos-de-renato-vieira-et-carne-quebrada-de-willington-julio-cia-do-pantanal 0143585593 info@leregarducygne.com

"Mal ditos" is a work on the interaction between the bodies and the stage space soliciting the eye of the public who, by making choices, becomes co-author of this work. Renato Vieira wants to point out the doubts, difficulties and anxieties in which an artist is immersed today.
Wellington Julio is a dancer and choreographer born in Viçosa (Minas Gerais). He has worked as a choreographer of AURORA for the Companhia de Dança do Pantanal/Brazil and the Ballet municipal classique et moderne d'Asunción/Paraguay. He is a choreographer and performer of the show «Carne Quebrada» for the Companhia de Dança do Pantanal.

About the location

Studio Le Regard du Cygne

210 rue de Belleville 75020 Paris

Paris
Île-de-France

In the midst of the explosion of contemporary dance, in the early 80’s, Paris lacks places; from this era was born the studio Regard du Cygne built by two couples (the Guibert and the couple formed by Amy Swanson and Alain Salmon). What defines the studio: a team of artists and professionals, who work to create a welcoming place where performances, work sessions and public rehearsals meet. An atypical place: former post office of the end of the seventeenth century, then workshop become house of artists, the studio knew how to keep its authenticity, its walls in exposed stone, its Parisian pavements, its beams in wood of another time. Programming: The studio finally opened to the public in September 1984 and the first contemporary dance programming took place in April 1985\. At the same time, musical programming was introduced following the 1981 meeting between Amy Swanson and Philippe Coutelen, musician and founder of Carnegie'Small. From 1981 to 2014, these chamber music concerts, cla