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17 i 18 septiembre 2022Passed
Setembre 2022
Dissabte 17
09:00 - 10:00
10:30 - 11:30
14:00 - 15:00
16:00 - 17:00
Diumenge 18
14:00 - 15:00
16:00 - 17:00
Accesible para discapacitados visuales
Los motores de acceso para minusválidos
5 to 99 years old

Cathédrale Notre-Dame-de-l'Assomption

Place de la Victoire, 63000 Clermont-Ferrand
  • Puy-de-Dôme
  • Auvergne-Rhône-Alpes

Guided tour of the Cathedral of Clermont

Paintings, stained glass windows, and theme tour: this year, you will discover animals and their symbolism in the cathedral of Clermont
17 i 18 septiembre 2022Passed
©henri Hours

A newly restored painting enriches all the religious paintings of the cathedral. Mr. Ganne will present some of the artwork that embellishes the monument.
In the cathedral, animals are everywhere. Art is conceived as a religious teaching, but it must be deciphered! Tradition teaches how the lamb, the pelican, the phoenix are symbols of Christ, how the serpent, the dragon embody evil while the dove evokes the Holy Spirit. All these symbols, inheritances of a long history, are now misunderstood, and need to be commented.
The publication of the issue of the Revue d'Auvergne on the medieval windows of the Cathedral is an opportunity to present in detail the set of stained glass windows of the choir of the Clermont Cathedral, a homogeneous set designed by the chapter in the last years of the thirteenth century. But the 19th and 20th century stained glass windows are not to be forgotten!

Types d'événement
Visite commentée / Conférence
Thème 2022
Patrimoine durable
I agree that the image may be freely used, provided that it is attributed to the author by name and shared under the same conditions.
Conditions de participation
Gratuit

About the location

Cathédrale Notre-Dame-de-l'Assomption
Place de la Victoire, 63000 Clermont-Ferrand
  • Puy-de-Dôme
  • Auvergne-Rhône-Alpes
Dominating Clermont's mound, the stone cathedral of Volvic is a head - of work of Gothic art. The elevation of the nave, the lightness(thoughtlessness) of structures and the wealth of its sculptures (in particular the remarkable set(group) of gargoyles keeping(guarding) the bedhead) testify the genius(engineering) of its builders. Begun in 1248 by the architect Jean Deschamps, it was always extended in the course of the centuries, before being finished(ended) on the plans of Eugene Viollet-le-Duc in 1884.
Tags
Édifice religieux i Monument historique
©DR