From the Nordic experimental scene, Fågelle embodies a raw collision between lyricism and sound outburst. His music blends folkloric passages, orchestral sound walls, electronic disturbances and primal voices.
After two critically acclaimed albums— Helvetesdagar ("Days of Hell", 2019) and Den svenska vlanger ("Swedish Fury", 2023) — Fågelle returns today with an ambitious new project, deeply rooted in his native region of Halland, in the southwest of Sweden. The album Bränn min jord ("Brûle ma terre") marks a geographical and artistic shift: an attentive listening to the forests and villages that have shaped it. Far from any nostalgia, it is a reappropriation of space and memory, transforming abandoned places into territories of creation.
On the sound level, the album is characterized by a dark, textured and immersive atmosphere – saturated guitars, brass, in situ sounds and raw voices. Both atmospheric and organic, it oscillates between light and darkness, desolation and tenderness. By integrating musicians, dancers and local life into the recordings, Fågelle reinvents the way music can depict and transform a landscape, creating a bridge between popular tradition and contemporary sound art. But the album goes beyond its territory to ask universal questions: how do places shape us? How does memory fit into the earth? And how the return – even painful – can become a way to fully inhabit the world.
Fågelle has given many concerts across Europe, in festivals and iconic venues such as Roadburn, Way Out West, la Kantine du Berghain, Petit Bain, among others.
