Future present: artistic journey in the Maison dite de Richelieu

Name: Futurs présents : parcours artistique dans la Maison dite de Richelieu
Start: 2023-09-16T16:00:00+02:00
End: 2023-09-16T18:30:00+02:00
Location: Maison dite de Richelieu (actuelle maison de la musique et de la danse)

Through a musical journey led by voice, percussion, ancient and contemporary dance, the artists will embark you on a surprising path where the dialogue between the seventeenth century and you…

Samedi 16 septembre 2023, 16h00Passé

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01 41 17 48 12

Ville de Bagneux

Through a musical journey led by voice, percussion, ancient and contemporary dance, artists will embark on a surprising path where the dialogue between the seventeenth century and present time will be illustrated by sound and artistic gesture. A dialogue between ancient architecture and modern architecture through the arts.
Journey around the musical works of: Purcell, Scarlatti, Corelli, Lully, Charpentier, Casper Fischer, Telemann
Improvisations inspired by a selection of texts by: Richelieu, Corneille, Racine,
Shakespeare, Cervantes, Locke, Madame de Sévigné and Margaret Cavendish.
With:
Elise Dabrowski - voice
Clarissa Severo de Borba - percussion
Sophie Jegou and Irène Feste - dance
2 time slots:
16h - 17h30
or
17h - 18h30

À propos du lieu

Maison dite de Richelieu (actuelle maison de la musique et de la danse)

4 rue Étienne-Dolet 92220 Bagneux

Hauts-de-Seine
Île-de-France

It was during a survey carried out before the work related to the transformation of the house into a conservatory, in the spring of 2004, that the painted beams of the Maison dite de Richelieu appeared. One discovers, under the plaster, a ceiling "in the French style" dating from the first decades of the seventeenth century, date of construction of the house. This exceptional discovery in the vicinity of Paris resulted in the classification of the joists, but also of the roof and facades. This house, baptized in the Chroniques of the eighteenth century, "Maison des oubliettes", would have been built thanks to the money of the Cardinal de Richelieu, who would have used it for "low works"...