Comment aborder le théâtre sans le mot ?
Quoi faire sur scène avec son corps sans un texte à dire ?
Dans ce stage d’initiation, nous inviterons l’acteur à développer son langage corporel, sa gestuelle. Le travail de la voix et du son, du borborygme au mot, sera utilisé comme outil de jeu pour soutenir l’identité et la narration. Ouvrir sa voix et sa présence sur scène, affiner l’écoute de ses sensations, de son propre corps et de sa sensibilité. Se rendre lisible, tendu vers l’histoire. Nous placerons l’impulsion du corps au centre de la scène. Nous nous servirons de la technique sans lâcher le déséquilibre joyeux du jeu présent. Nous irons rencontrer « Ce Corps qui Cause », qui laisse à voir sa pensée.
\nInfos sur www.letheatredessilences.com (Cause toujours !)
\nGwenola Lefeuvre est metteure en scène, clown et mime. Elle enseigne dans diverses structures sa pédagogie, basé sur la respiration et l’écoute du mouvement chez l’acteur au présent. A travers les figures du clown, du mime, du bouffon et sa parole libérée, elle invite à ouvrir les possibilités théâtrales du corps de l’acteur. Formée à l’Estudio Theatrales de Madrid, à l’école internationale de mimodrame Marcel Marceau à Paris, au CNAC en clown puis avec
\nEric Blouet. Titulaire d’un Diplôme de Compétence Linguistique en LSF (Langue des Signes Française) (IVT, Paris), elle met aussi en scène des spectacles bilingues, à la recherche d’une esthétique visuelle et d’un langage commun, au-delà des mots. Aujourd’hui, elle crée, écrit, enseigne, joue parfois, mets en scène, collabore avec d’autres compagnies comme dramaturge, regard extérieur ou chorégraphique. Elle est Agréée intervenante extérieur art et culture par l'Éducation Nationale, et a validé une certification professionnelle Arts et techniques de la Mise en scène.
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A partir de jeux et d'improvisations nous nous amuserons à trouver la démarche, le costume la voix, les émotions et le dérisoire de ce pitre drôle et touchant, tapi en chacun.e de nous.
\nMarie Bout est comédienne et metteur en scène. Elle dirige la compagnie Zusvex. Elle a mis en scène Lettres des Iles Baladar de Jacques Prévert et Ô ciel la procréation est plus aisée que l’éducation de Sylvain Levey. Elle est comédienne dans Elle rit quand on la cuit, un spectacle qu’elle a créée avec Anne-Laure Pigache. Avec son personnage de clown-bouffon « Irina Dachta », elle participe à des parcours-spectacles et des impromptus poétiques. Elle créera début 2009 Alice pour le moment de Sylvain Levey, spectacle dans lequel elle sera comédienne.
\nLes spectacles Irina sur mesure, Pom-Pom Girl ou Isa-Belle Pappier mettent en scène des personnages farfelus qui sont en relation directe avec le présent. Clowne, Marie Bout aime s’amuser avec ce qu’elle entend, voit, sent, ressent, elle aime saisir l’immédiat. Elle aime la proximité avec le public, être en contact avec lui, jouer dans des endroits qui invitent à cette promiscuité. Elle aime les objets aussi, du cheval en plastique au caillou en passant par le bout de ferraille usée.
Infos sur zusvex.com
Pendant deux jours, au travers d’exercices ludiques, nous explorerons ensemble les bases de l’improvisation théâtrale. Nous essaierons plusieurs outils qui permettront d’inventer dans l’instant des situations inédites. En s’autorisant à rejouer comme des enfants, nous pourrons créer des scènes imaginaires totalement loufoques, des personnages attachants ou même des scènes sensibles et poétiques. Nous travaillerons à prendre plaisir à sauter vers l’inconnu pour jouer des histoires éphémères.
\nPas de prérequis nécessaires, vous êtes déjà remplis d’une vie entière.
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\nA travers des exercices concrets et de la mise en situation ces ateliers proposent des clefs pour pouvoir mieux appréhender son environnement social et privé. On découvre et on met en pratique des outils concrets, simples, efficients et transférables rapidement ce qui permet de fabriquer sa propre boîte à outil d’autodéfense et de d’augmenter sa capacité à gérer sa propre vie avec plus de confiance et de joie.
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Il s’agit d’apprendre à jouer une scène qui n’a pas été répétée au préalable. Pour cela nous passerons par différents jeux et exercices qui amèneront les adolescent.es à un lâcher prise nécessaire pour l’improvisation, tout en restant à l’écoute de leur partenaire.
\nCe stage est ludique et bienveillant afin que chacun.e puisse exprimer son univers et son imagination.
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C’est surtout une quête intime et surprenante dans laquelle nos talents, nos désirs et nos joies s'entremêlent pour former un corps nouveau, transfiguré, offrant de nouveaux espaces de liberté.
\nCe stage d’initiation vous propose un temps exploration ludique autour de votre figure drag, qu’elle soit Queen, King ou Queer selon vos envies. Ensemble nous allons parler de la culture drag et de son aspect politique, passer de longues heures à nous maquiller, arpenter le costumier et échanger des fringues, modifier nos morphologies ordinaires, déambuler en talon-haut ou rouler des mécaniques pour nous créer de nouvelles manières d'être, nous jouer des carcans et déjouer les normes en tous genres. Et pourquoi pas créer votre premier numéro drag !
Spectacle Drag Show le 19 mars au Théâtre du Cercle
Ce laboratoire de clown propose de travailler collectivement la mise en état de l’acteur clown par la méditation, la respiration, le travail des émotions, le training corporel et énergétique, l’éveil de la présence au monde, à soi et à l’autre. Il s’agira également d’explorer en groupe des outils d’improvisation à travers la danse-mouvement, le chant-voix, la parole thématique, l’expression libre et spontanée. Le passage au plateau sera ensuite individuel, invitant l’acteur à embrasser le vide et aller à la rencontre de ce qui jubilera à l’intérieur de lui.
\nL’objectif est d’aller à la rencontre de cet état d’être particulier, permettant d’esquisser une créature libre et vibrante que nous appelons « Le clown ».
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